This morning I attended a workshop on... well, essentially the topic was Looking on the Bright Side, not in so many words. Fewer than a dozen people sat around a loose rectangle of old folding tables, staring out the window, at the ceiling, at the clock. Anywhere but at each other. Some of the people were well known to me, others were strangers. Didn't matter, old friends, new people... I kicked the legs of the table, feeling alien and out of place. I hate workshops where I can't hide out in the back of the room, drawing silly pictures in my journal. I draw pictures anyway, even if I have to be a visible member of the group, but I don't like it. I'd much rather do what my students do, and pretend like I can escape notice. Anonymity should extend to visibility, in my opinion. Like, please, ignore me, I'm not here. I'm not a real person, I just play one on TV.
This is me. When I'm not fretting about the future, I am dwelling on the past, trying to rewrite history, indulging in the if-onlys. (See a previous rant.) You know what I mean. Stuff like... If only I had finished college back in 1978, when I had only a year to go. If only I hadn't tried to make money doing something I absolutely despised (sewing), instead of focusing on my art. If only I hadn't spent so much of my life orbiting other people instead of creating my own space. Bla bla bla. The if-onlys get a bit repetitive after I've hashed and re-hashed them a gazillion times. (I'm sure there is a food joke about hash somewhere in there, but I'll let you imagine it. It will be a lot funnier that way.)
How much time and energy have I spent trying to create a new past? What a total waste.
Wait, time out for a song. I can't really express my angst while Michael Nesmith is warbling “Tumbling Tumbleweeds.” Too bad I can't sing, I'd serenade you. Hey, sing along with me! See them rolling along... pledging their love with a song? Wha? Tumbleweeds fall in love? Tumbleweeds can sing? I must have it wrong. I can never understand lyrics. (Like, Wrapped up like a douche, another loner in the night... come on, don't tell me you don't sing it like that.)
As bad as my if-onlys get, though, I have only to think of Mary to realize I got off easy. Mary calls me on the phone every two weeks and reads me excerpts from her journal writing. She doesn't want feedback. She wants the relief that comes from unburdening her soul to another human being, one who won't judge (out loud, anyway), won't criticize, and won't hang up on her. It is hard not to judge Mary. She is stuck in the past, blocked from evolving into a viable functional human by two events that have defined her life ever since. The first is the typical horrific account of child abuse. The second was some harsh words directed at her by her best friends in high school. (She's 45 now.)
Mary has been calling me for almost two years, every other week. At first, I was uncomfortable with my role as listener. I felt obligated to respond with appropriate noises, maybe offer a comment or two at the end of the tirade. Now I rarely make a sound. I play Mahjong, and as I click the tiles, her words become poetry, by turns poignant, stark, riveting, trivial. She's too immersed in her pain to hear how funny she is. She is crying to heaven. I'm just a channel, a conduit, through me straight to god. At least, that is what she hopes. (Since I rarely speak, I haven't told her that I'm a chronic malcontent whose personal philosophy skirts a fine line between fatalism, cynicism, and nihilism.)
Mary is trapped in an unbearable present, terrified of the future while hoping for a new past. Maybe there is another advantage being a chronic malcontent. No matter what I think or feel or say, I can never take it too seriously. If I ever stop laughing at my quirks and foibles, please take me out back and shoot me. I'm counting on you, don't let me down!
