Art and the end of the world

In this isolated new world of video mentoring, I talk with artists all over the country. One of my favorite pep talk mantras is the world needs your art. I usually say this in response to their complaints that they are afraid to put their work out in the world so people can buy it. "What if no one likes it?" they say. They are afraid to set prices. Posting their art to social media is terrifying. Anything but my art! Such tender self-centeredness. As if anyone cares. 

"The world needs your art," I tell them. "We are given creative gifts to share them with others."

Of course, this is total hooey. I am implying that whatever "gifts" we are given are magically bestowed upon us by some sort of power outside of ourselves. Call it the Universe, call it Goddess, call it the Muse, the assumption is that our creative "gifts" came out of the womb with us, like our skin and bones. 

Moreover, it's our job to make our creative gifts manifest. Didn't some old dude say if we don't bring forth what is within us, what is within us will destroy us? So refreshing. Nothing gets me inspired to make art like the threat that I'll be obliterated if I don't.

Anyway, the point is, I tell artists it's their job to make art. 

I think I need to stop doing that. I'm reinforcing their delusion that their creativity is something special. It's not special. Everyone is creative. Not everyone is an "artist," if you are using a strict definition of the term, but every person alive must exercise creativity in order to stay that way. As soon as they learn how to scream, kids are masters at creative manipulation. Adults don't usually resort to screaming, but they are equally manipulative in their efforts to get their way. That sometimes takes ingenuity and innovation. In other words, creativity. So, just because you think you are an artist doesn't make you special. In that sense, everyone is an artist.

A few days ago, I realized I've committed a sin even more egregious. In encouraging artists to produce more art, I am indirectly contributing to an unsustainable pattern of production and consumption that relies on manipulation in order to function. It's a self-destructive cycle. 

Sut Jhally identified this cycle years ago in his film Advertising and the End of the World. I used to teach marketing and advertising at a career college. The marketing program was on its last legs, so usually there was no more than a handful of students in the program at any one time. Sometimes I had classes with only one student. Once every ten weeks, I rented Jhally's film from the library and showed it on a VHS player. I don't remember my students being terribly impressed. The message scared the living crap out of me.

Over the past few years, I have moved from fear to despair. It's too late to save the human species. If there is some sort of rescue coming, perhaps from space aliens or a magical melding of human consciousness into one wise mind, it will likely happen after I'm dead. (I'd love to see what American politicians do with an influx of extraterrestrials.) Meanwhile, what does it matter if millions of mediocre artists create millions of Sculpey animals, acrylic pour paintings, and plastic-bead portraits of Mickey Mouse? Who cares if our creativity ends up in landfills? Who cares if the oceans are more plastic than fish? Oh, poor whales, poor turtles. What's a few species in the big scheme of geological time? Species come and go. Nothing and nobody is special. I find it reassuring to realize the earth will remain until the sun goes pop. 

Artists, I'm doubling down. Go ahead, fill up your garage with oil paintings nobody will ever buy. Promote your crappy art on websites nobody will ever visit. Post your stuff on social media in the deluded belief that you have control over the algorithms. Who am I to rain on your parade? If it makes you happy to believe you will become rich and famous selling your insipid pour paintings, go for it. We passed the tipping point a long time ago. Choose your deck chair. 

Strategic thinking departed with the art

It's a cool 94°F outside. I'm sitting in the Bat Cave with two fans blowing and a wet tank top wrapped around my head. I really don't need the wet tank top. The fans are enough. Like many Tucsonans, I keep hoping to see some rain. Sprinkles come and go, but so far I have not seen anything but dirt spots on my windshield. The ground is never wet. I know that is going to change once this monsoon gears up for real. Right now, this wind phenomenon is  revving it's motor, testing its ability to suck water out of the Gulf and dump it on this desert. 

This is the strangest place. Well, strange to me, compared to the other two places I've lived. After a year here, I still haven't figured it out. Everything here seems so precarious. Maybe it's because I still haven't found a direction. Maybe I should get a job. 

How do people cope with the uncertainty of life? Is everyone going around saying prayers under their face masks like I am? No, because hardly anyone is wearing a face mask anymore. I was at the pharmacy yesterday to pick up yet another drug for my hypertension, and I counted barely a handful of people wearing masks. The people inside the pharmacy cage aren't wearing masks. They have glass windows between them and me. It must be nice to have the illusion of feeling safe. I've decided not to care. I will not succumb to peer pressure. My fear of getting COVID far outweighs my concern about what people think of me. 

I'm trying to peer inside my head to discern what might be changing. That isn't possible, I know. You can't see inside your brain using your brain. I want to find the place where I've misplaced the thoughts that sum up my life and help me make sense of things. I know those thoughts are here somewhere, because I'm a strategic thinker. According to the Strengthsfinder, four of my top five strengths are strategic. I don't remember what the fifth one was. At least, I used to be a strategic thinker, before I tucked that ability into a box somewhere and then forgot where I stored it. Thinking strategically is now a memory, sort of like the memory of doing handstands or step aerobics. That is what I'm missing now, that ability to assimilate and summarize all the events of my life and the world into a single cohesive equation or directive that will let me know, finally, here is what it all means and here is what to do about it. 

Meanwhile, since the strategic thinking skill seems to have deserted me for the time being, I have been exploring another skill, one I never had to develop because the boss driver in me always knew where the bus was headed. What do I call this new skill? I guess, being in the here and now. It's a new thing for me. Now I'm pulling off at every scenic rest stop, metaphorically speaking, to sniff some stupid flower or watch another dumb sunset.

In the moment! Who knew it could be so confoundingly unsettling? 

There is a lag between the question and answer now, when I look inside my head. Well, I never used to have to ask the question, did I? I always knew who I was and what I was doing. So sure I knew. Now, I know so little. 

I mentor many artists, as I've mentioned, mostly about marketing their art. In the thick of our conversations, I am fully immersed and present. I enjoy the brainstorming process, and I am pretty sure I'm being helpful. After the conversation is over, however, I return to my flatline state. When they send a follow-up email, updating me on their progress, to me, it's like the conversations never happened. I have to review my notes to remember what we said. I think it's because I really don't care much. Should I care more? After descending into the messy emotional bog of interacting with artists who think the world owes them a living, it takes all my energy to dig myself out after we end the video call. Oh, they don't say it like that, but I recognize my fellow kindred spirits. 

 

Another bug in the life of one day

After a recent Windows update, my computer started giving me the weather report in the notification area of the task bar, whether I want it or not. This week the reports are somewhat unsettling. UV alert! Fire danger! Very hot! in scary red letters. 

Yes. It is very hot here in Tucson. It is summer in the desert, after all. But not as hot as predicted. Yesterday, instead of 110°F, it was only 109°F. Today, instead of 110°F, it was only 108°F. I say, quit whining. I think putting the forecast in a scary red font is click bait. A few seconds later, the alert says mostly sunny, as if to say, ha, ha, got you, sucker. It doesn't matter. I can't parse what I'm seeing. I have the air conditioner cranked up to bring the interior air down to 80°F. The sound of a jet engine screaming in the Bat Cave makes my eyes wobble in their sockets.

Speaking of wobbling, a few nights ago I was getting out of the shower when movement along the floor caught my eye. Even with glasses, my vision isn't great. Without them, I'm half blind. But I can see movement, and movement on the floor can only mean one thing. 

The ammo I normally use to defend my turf was in the kitchen, so I grabbed the closest thing to hand, which was a spray bottle of Clorox. I grabbed my glasses and jammed them on my nose as I sprayed in the general direction of the thing. Now that I could see it, I wished I hadn't. It was the biggest cockroach I have seen in my time here in the Bat Cave. It was built like a fat little tank, more than an inch long, glossy brown, like sort of a warm brick color, and fast as hell.

I sprayed the bleach in its direction and then fell back gasping as the thing spread its wings and took to the air. It flew into the closet and landed on my dad's white plastic chair (the one I tied to the roof of my car when I moved here, don't ask me why, all I can say is, it has Dad's handwriting on the back of the chair). The thing landed and sat there looking at me. If you had been here, you would have seen me stark naked, dancing around with a spray bottle of bleach, screaming, "They can fly? WTF, they can fly?"

Yes, Virginia, they can fly. The adults, anyway. So now I know that the ones I had been claiming were ooh, these big scary adults were barely past their teens. This guy was a grown-up. Lucky for me, they don't fly fast or far. I was able to spray it down onto the ground. It ran like hell under a plastic chest of drawers. I sprayed under the chest, hoping eventually I would find its dead body. Then I dashed for the big guns.

I brought two spray bottles back to the closet with me: the insecticide and the alcohol. Long-range, short-range. Or maybe I should say long-term and short-term. I took the insecticide and sprayed full blast under the chest of drawers. Out came the big dude, moving fast. I scuttled backward as it scuttled forward. We passed each other. I stood in the bathroom doorway, and it headed full speed for the kitchen. I guess we retreat to the places we feel safe.

I lit out in hot pursuit, spray bottle in each hand. I shot it with insecticide as it ran before me, and as far as I could tell, it wasn't a bit fazed. I switched to the alcohol. The critter ran behind a thing, looking for a crevice in the cabinet. There wasn't one, so I let loose a torrent of alcohol, blam blam blam, and eventually it was so soggy, it rolled over on its sodden wings and surrendered.

I was taking no prisoners. I shot it a few more times, just for kicks, and then I finished getting ready for bed. Of course I couldn't sleep for a while. I had to walk around with a flashlight like I was hunting possums in the dark. I didn't see any more dudes, big or small. I am really hoping that was the grandpa or grandma, the last of the line. We can hope.

Meanwhile, more excitement at the Bat Cave. A night later, I was typing and heard a boom. I thought, oh, no, did someone just hit my car? I peered out the window and saw the dumpster was on fire. I opened my door and stuck my head out into the oven-like air. Yep, my eyes did not deceive me. Flames were roaring out the top of the metal dumpster. The dumpster boomed again. I heard sirens. I saw some neighbors come out and take video. I did the same, although I don't know why. I didn't talk to anyone and nobody acknowledged me. The fire truck pulled up. The guy who drives an air conditioning repair truck came home at the same time. He inched past the fire truck, determined to make it to his usual parking spot. He probably just wanted to get into his nice cool apartment and pop open a cold one. He was probably like, so what, a dumpster fire. People wandered around in the hot evening, walking their yappy dogs and watching the firefighters spray stuff on the flames in 100°F heat. It was all over in five minutes. 

I don't hear or see much from my window at the back of the apartment complex. Last night on the news I was startled to see a photo of the sign outside my apartment building. Apparently early in the morning, there was a double homicide in one of the apartments on the street side. The police came, set up a little white tent, and conducted their investigation. I saw photos. I didn't hear a thing. This morning I went out to check my mailbox for the first time this week (empty) and there was no sign two people had died.

This morning the manager sent a text saying the water would be shut off for some emergency repairs. I filled a bucket of water and put it by the toilet, just in case, but for some reason, the water in my building kept flowing.

Life goes on.

If artists ran the world

I thought I could make some money being creative. Not so fast. 

I spent the week whining to myself about how hard it is for U.S. artists to legally sell their work. I'm not wrong. It’s true, many administrative hurdles block artists from starting small businesses, but maybe my whining is overly dramatic. Other entrepreneurial wannabes have to stumble over the same hurdles. Just about anyone who wants to start a small business in the U.S. has to do a few things if they are going to operate above the radar, and when I say “radar” I mean the IRS radar. The IRS thinks you are running a business if you have at least $400 in net profit when you file your annual tax return. Sell a couple paintings, lead a couple workshops, and there you go, bam, you might owe somebody some taxes.

And don’t get me started about the confounding world of sales taxes. The topic irks me so much that I’ve cut off my hair, literally whacked it back to an inch, so I am not tempted to yank it out by the roots. I’ve even toyed with the idea of moving back to Oregon, which has no sales tax, just to avoid the whole headachy mess of charging sales tax.

I'm freaking out on behalf of all U.S. artists. It's my way of being of service. You're welcome. It’s not like I sell my art. I’m not even making art these days, at least, nothing anyone can put their finger on. Earlier this year, I was selling some 99-cent templates to dissertators on my website, until I realized, hey, I should probably be charging sales tax to customers who live in Arizona. Considering the likely number of Arizona-based dissertators (few, I'm guessing), the odds that I would owe more than a dollar are slim to none, but rather than find out the hard way, I now give the templates away for free. I do not want to rouse the wrath of the State of Arizona. In any case, I never collected mailing addresses, so I have no idea where my buyers live. 

All that got me thinking about what artists must go through to be sales-tax compliant. If they sell any tangible art at all, and if they live in a state that has sales tax, then the artist is supposed to collect sales tax from buyers in their state and remit it to the state. I’m not even going to mention the regulations affecting artists who sell digital art remotely into other states. Let’s just keep it simple.

Forty-five of the fifty U.S. states have a state-level sales tax. If you live in one of those states, and sell art to buyers who live in or visit that state, then you should be collecting sales taxes.

It sounds so simple, doesn’t it? Until you factor in the artist’s brain.

Think about what artists are being asked to do. To collect sales tax from buyers means artists must keep track of sales and money. What are the odds of that happening? Artists don’t use Quickbooks. They don’t even use Excel. Artists use napkins and sticky notes, notebook paper, and handmade journals with cats on the covers. Ask artists to produce an income statement or a balance sheet and their eyes will roll back in their heads as if someone had asked them to do math. Right.

Second, to remit those funds to the State means artists must register with their State (unless they live in one of the five states with no state sales tax). One look at the web form would make most artists run screaming into the night. It won’t take long for them to realize if they register to collect sales tax, they will need to apply for a business license. Then it’s one slippery misstep toward opening a business bank account, hiring an accountant, and discovering they owe income taxes. The next thing they know, all the joy and creativity they derived from their artmaking is gone, and now they are running a business. Bummer.

Third, the artists must remit the funds to the State. Dream on. All the artists I know will be using those sales tax funds (supposedly held in trust for the State) to pay their rent and buy their Frappuccinos. This is how I got into debt. Back in the 1980s, I found out too late, from the accountant I hired too late, that I should have been collecting sales tax on the clothing I made and remitting it quarterly to the State of California. Darn it, now you tell me.

Fast forward to now. I could have registered with Arizona. But I know the limitations of my artist brain. I balked after I found out the terrifying fact that even if I had no sales, I still must report to the State or be fined $100. That means $100 in fines for each missed sales report. It's like checking in with a probation officer. No check in, uh-oh, warrant for your arrest. In the face of financial terror, my brain goes gunnysack. Art becomes a burden, and all outcomes favor the State. 

Lawmakers don’t get it. They think artists will prepare business plans, hire lawyers and accountants, install and learn Quickbooks and Taxjar, and file their tax reports with the State on time. As if! Maybe on another planet in a galaxy far far away, where artists are the lawmakers and lawmakers are the whiners. What would a world run by artists look like?

My artist brain is not the brightest crayon in the box but it knows when the system is rigged against it. If you are one of those rare artists whose left brain works as well as your right brain, apologies for lumping you in the crayon box with me and all the other ratty, worn-down crayons. I hope you will run for office. I would definitely vote for you.