Welcome to monsoon. At any moment the sky can rip apart and dump buckets of rain on your head. You walk along the road toward a lovely pink and orange sunset, basking in the soft desert air. Don't look over your shoulder, though, because an enormous soggy gray cloud is sneaking up behind you.
A couple nights ago, I went out for a walk around the trailer park. I've got a route now, thirty minutes of mindless walking. At the point furthest from the trailer, the deluge began. Raindrops are big as plates here. I was drenched in short order and slogged back to the trailer with my cotton knit (pajama) pants clinging like saran wrap to my thighs. Plus, it was almost cold. I'm not used to being cold anymore. It was shocking to shiver.
I met a trailer park neighbor on the bike path. We were both peering over the edge into the Rillito River after a downpour, trying to see if the river had water. We couldn't see any where we were on the bike path next to Sam's Club. Later I discovered if we'd walked about twenty paces to the east, we would have seen that indeed, the Rillito River was alive with flowing water. Sally is a ceramicist who recently had a falling out with some hoity-toity gallery owners and is taking a break from making art. Southwestern ceramics sell well here, she said. Anything Southwestern sells well, I'm coming to realize. For example, the artist I met who lives out in the desert apparently sells quite a few drawings of round-faced indigenous children dressed in native costumes . . . for some reason, those images appeal to tourists. Why is that? No idea. As if kids on reservations don't wear sneakers. Whatever. Anyway, if I want to make money making art, I better learn to draw saguaros and maybe tarantulas.
Yesterday I visited my possessions at the storage unit. I was looking for my APA manual. I couldn't find it. It's in a box or bag, somewhere in that dark closet. Boxes are stacked ten high. There is no room to maneuver, open boxes, and see what is inside. Finding anything on purpose is impossible. Finding things at random is the only viable strategy, not that useful when I'm looking for something specific. I ended up buying an electronic version of the book when I returned to my laptop. I won't miss the print version.
What really got me was seeing my stuff. Seeing all the boxes with their optimistic hand-lettered labels: paper, paper, paper. I saw like five boxes labeled paper. What the heck, Carol? Looks as if I paid a fortune to ship a bunch of paper to Tucson. Clearly I was not in my right mind during those last few weeks in Portland.
I've heard people say it's okay to look back at the past. Just don't stare. I don't regret my move to Tucson. I certainly don't want to stare at my past. I just miss my stuff. I know it's silly. I don't have much stuff, and none of it is important. But it's all I have left of my previous creative life. I don't know who I am without my stuff. I feel ridiculous saying it. I see the news. Many people around the world don't have stuff. A lot of people recently lost a lot of stuff, including people they love.
I've heard people say suffering is optional. Maybe it is true I have a choice about how much I miss my stuff. Maybe I can decide what meaning my stuff has for me. Stuff is impermanent, I am temporary, and life can only be lived in the here and now. All that may be true. I don't know. I still hope to be reunited with my stuff someday before I get dementia and forget where I stored it.
