Lately I'm hearing that music when I drive home from my mother's nursing home. I used to call it her retirement home—an unsettling euphemism for a warehouse where old people are sent to die. Now I call it the nursing home, because as she slides deeper into dementia, she's clearly way past the retirement phase of her stay there and there's no use pretending she's going to suddenly start knitting again or playing bingo with the other old ladies.
The music isn't anything specific, usually. Usually Marketplace is on when I get into my car and turn on the radio. It's not like my drive has changed. The restaurants with their optimistic welcome back, we missed you signs look pretty much the same every day, rain or shine. A smattering of cars in their parking lots, a few aggressive drivers on the road, and the sun setting in my eyes over the mountain I live on. Same destination, nothing fancy, nothing new, just my kitchen and my computer and the bad news about the corona virus. It's more of a feeling that a change is coming.
I visit my mother's window every evening like a hopeful peeping Tom, peering through the screen with the sun reflecting in my eyes. What I hope to see is my mother just arriving from dinner, still alert enough to visit for sixty seconds at the window before she sinks limply on the couch. Earlier this week the nurse called to say they were going to let her take her meals in the dining room. Mom wasn't into eating her meals all alone from a tray in her room. Losing weight, headed south, yada yada. The past couple days she's been more alert. If I time my visit right, I can catch her before she fades.
Yesterday I was too late and she'd already settled into the black hole. I thumbed the button on the parental baby monitor unit and said softly, "Hello Sleeping Beauty, are you awake?"
She opened her eyes and looked at me. I moved from the screen to look through the glass and pulled my mask down so she could see my face. She gave me a childlike grin and waved.
"Hey, Ma," I said, waving. "It's me at your window again."
She gazed at me, smiling. After a long moment, her voice came through the monitor in my hand: "There's my Carol."
"How ya doin', Ma?" I asked, hands cupped around my eyes, trying to see through the reflection.
"Not too bad," she said as her eyes were closing.
"Okay, I'll let you sleep," I said. "I'll see you tomorrow. Tomorrow, tomorrow . . ."
"Tomorrow, tomorrow," she sang back, and opened her eyes to give me our version of the high-five—the peace sign. I returned it and leaned over the waist-high bush to put my nose on the glass. I can't quite lean far enough to kiss it, and you know, cooties. I try not to think about all the bitty spiders that are jumping from the bush to the front of my jacket.
"Tomorrow, tomorrow, I'll love ya, tomorrow," I sang, off key of course, because I can't sing very well. Who cares, not me, I never see any other family members out there peering in their loved ones' windows doing their best to keep them alive by sheer force of willpower. I'm alone except for the occasional dive-bombing crested blue jay guarding a nest I suspect is in the gutter overhead. I wave goodbye, pull up my mask, and head back to my car.
She's pulling away, she's receding from me. It tears me up but I'm doing my best to be there for her. I read that our hearing is the last of our senses to leave us when we are dying. I hope that I'll be with my mother when she leaves. If I am, no matter who is listening, even if I'm bundled head to toe in PPE, I'll be singing the Happy Wanderer into her hearing aid as she goes over the crest of the hill. Roll credits, but not yet, not quite yet.