The vertigo still bubbles up from time to time, but it no longer swamps me. Now, I show up for my service commitments. I show up for meetings, I show up for phone calls, I show up for my mother.
Now I'm showing up for a new volunteer commitment. I'm in the process of being inducted (onboarded, waterboarded, whatever they call it) into a service organization. A request went around by email for someone to co-chair the workshop committee. Prodded by the finger of service, I raised my hand. Most of the work for 2020 has been done, it appears, by the massively overachieving and micromanaging “acting” workshop chair. Probably they just need an ignorant snoid to show up, check names off the list, and make sure nobody inadvertently unplugs the projector when run they their chair over the extension cord. That snoid could be me.
The hardest part of the snoid job is getting to the location in downtown Portland. Parking is exorbitant and scarce. Public transit is slow and expensive. Volunteering means clients pay nothing for service; however, volunteering shouldn't require the volunteer to fork out great sums of time and money. Just saying. Not up to me.
Speaking of trying to help others, at the invitation of one of the artists who took my art and business class at the community college, yesterday I visited an artists' workshop in Northeast Portland. Well, it was really an old concrete brick garage with a massive wood stove flaming against the back wall, uncomfortably close to shelves of tarps and other possibly flammable materials. I tried not to notice.
Three artists from my class had kept in touch. Apparently, taking my class had inspired them to support each others' marketing efforts. I felt a little frisson of pride, completely unearned.
Just inside the big open garage door, I chatted with two artisans I had not met before. The first was a young woman who sat behind a display of hand-pinched clay pots adorned with grotesque cartoonish faces (not unlike some of my grotesque cartoonish faces). I admired them and asked what people typically used them for.
“Rubberbands,” she said. “Paper clips. My Mom has them all over her house.” Yay, moms. We gotta love moms.
“Where are you selling them?” I asked.
“Well, nowhere, yet.”
The second artist new to me was a long-haired scruffy man named Tim who sat at a power machine sewing leather tags on pieces of pillow ticking for a custom order of bags. I admired his hand-dyed, one-of-a-kind backpacks stacked on a big table behind him. Ever the marketing critic, I gave Tim my signature eye-roll when he was unable to produce a business card: In lieu of a card, he gave me one of the tags he sews into his packs. Today I visited his website: clean design, perhaps a little too clean. Lots of nice photos but no verbiage to romance me into paying $114 for a clay-colored book bag.
Next, I stopped to chat with Cherise, an artist who I vaguely remembered from my class earlier this year. She stood next to a colorful display of hand-made cards encased in clear plastic wrappers, arranged in a little twirly rack on a table. Next to the rack were a few small paintings set on easels. I liked her images.
“How are your marketing efforts going?” I asked.
“If you had a class to help people post their art on their website, I would totally take it,” she said, looking embarrassed. Hmmm, I thought. An unfilled need. Could I fill it?
Today, I looked up her website, a drag-and-drop Go-Daddy affair that looked good to me. She had a page of digital art that people could buy, download, and print. I don't know what she was complaining about. Looked like she had it handled. Maybe she was having tech-swamp brain, like I often do. It's the inability of my brain to recall technical skills I previously learned, even the day before. She may have forgotten she knew what she knew. Or maybe she enlisted a niece to create the shopping page. I need more information.
Next to Cherise, was a card table showing a sparse collection of handmade embroidered patches and ... well, bigger patches, or maybe they were wall hangings? Heidi, the artist who invited me to the show, huddled under a laprobe behind the table. Heidi is an embroidery artist, I guess you could say. She takes tiny pieces of denim, embellishes them with microscopic cross stitches, attaches a minuscule fabric tag with her name on it, and safety pins a dinky price tag to the corner: $85. Yipes. She also had a dish of about twenty denim embroidered buttons for $35 each. I mean, buttons that you pin on your lapel, not buttons that go through buttonholes.
My eyesight is pretty bad, especially for closeup work, so I had to lift up my glasses to appreciate the fine detail. Even up close, though, I don't think I fully grasped the appeal. Now, if she had turned one of those miniature denim masterpieces into a huge wall tapestry or a rug . . . well, I guess I like my art over-sized. And functional. The way I like my brain. But I digress.
The third artist from my class was Marge. Marge works with wood. She does custom decks and fences in her outdoor life. Indoors, she builds wooden boxes on legs or wheels to hold things of various sizes, including stringed instruments.
“Is this where the magic happens?” I asked, patting the beat-up workbench shoved against the wall under a window and thinking, wow, this is really primitive. The lack of space and paucity of tools possibly explained why her work could best be described as rustic. I was reminded of the day many years ago when I showed my attempt to sew a leather outfit (turquoise lamb suede) to a professional seamstress who used to sew couture for Galiano. I'll never forget the look of withering pity she bestowed upon me as I wrapped up my amateurish effort and slunk out the door. I took a vow not to do that to anyone. I admired Marge's photos and patted her boxes.
I don't know if any of the artists sold anything but they didn't get any money from me. I'm in downsize mode. Cognitive dissonance kicks in when I imagine the hordes of artists around the world cranking out art that few people will see or buy. How is all this production helping the planet? But we can't tell artists not to create. That would be saying, dancers, stop dancing; singers, stop singing. Fish gotta swim. Artists gotta create. And we need art, even if we are running out of places to put it.
