Happy new year from the Hellish Hand-Basket

I'm relieved to have survived 2019. As I wait for 2020 to blow us all to smithereens, I am reflecting on some accomplishments, challenges, and surprises from the past year. I mean mine, of course. I'm not qualified to judge anyone else's, although that never stops me. I wonder, should I be looking forward rather than backward? Good question. I'll look forward some other time. The wreckage of the future always beckons. Tonight, I'm reflecting backward.

First, I've been a writing machine this year. I'm like the meat grinder of writers. Ideas in, content out. Of course, like any meat grinder, the quality of the output depends on the quality of the input. Luckily for us all, I never let a little thing like concern for quality stop me from grinding out words. Sometimes I string words together into actual sentences. I know. I'm amazing.

Second, I'm getting things done around the Love Shack. It is good to be proactive when one is preparing for homelessness. To that end, I'm ticking things off that have been on my list for twenty years. For example, this week I have been transferring my music audiotapes to digital format. I know! I'm a dynamo.

It was really easy once I figured out where to plug the cable. Thank you to all the wonderful people who post tutorials on the Web for idiots like me. So now I can throw away all these hissing compilation tapes of songs captured off scratchy albums I dragged to Portland from Los Angeles and then donated to thrift stores. As if Portland needed an infusion of Monkee albums. Downsizing is an incremental process—first the albums, then the tapes, then the computer. After North Korea's bomb destroys the power grid, I'll be completely free.

Third, I've learned some new words this year:  Shingrix. Costochondritis. Ganglion. Retinal artery occlusion. It's good to expand my vocabulary after many years of shrinkage. Where did all my words go, I wonder? Probably the same place my socks go. Inside my duvet covers.

I've learned some new skills this year, too. Taking my own blood pressure! How cool is that! It's so fun to wrap my arm in Velcro, one of the great human inventions, and then grimace as my arm is all but severed.

A few weeks ago, I made my every-other-year visit to my doctor for a wellness exam. I brought her a drawing I made of my naked body labeled with all the things I thought might be failing, head to toe. Cysts, warts, hiatal hernia, bladder, high cholesterol, arthritis, yep, the works. In moments like these, all those years of art school really pay off. She was surprised, perhaps nonplussed. Perplexed, confused, astounded . . . all words that might apply.

“Can I keep this?” she said, holding the drawing carefully between two fingers. I magnanimously said, “Of course, I made it for you.”

Finally, my major achievement for the year is showing up for my mother. Almost every evening, I drive over to her retirement facility, park my car, hike through weather, and enter the code on the back door. I stride down the hallway, noting which door name plates have come and gone. As I walk by the dining room, I dodge white-haired people heading back to their rooms, most assisted by aides, who smile at me and greet me by name. I look to see if Mom is still eating. Almost every evening, one old lady waves at me. Another one points at me and says, “Who is that guy?”

In Mom's room, if the lamp and TV are on, she's sitting up watching the Flintstones. If the lamp and TV are off, she's snoozing on the couch.

A few nights ago, the room was dark. She was lying on the couch under her blue plaid wool blanket. I entered with my usual greeting: “Howdy, Slacker.”

She opened her eyes and looked at me. She didn't say anything, which is not normal. I sat on the couch by her feet.

“Do you recognize me?” I asked.

“Yes,” she said slowly. “You're my daughter, Carol.”

I guess some days are better than others. Tonight, she was sitting up, laughing at Fred and Barney, as alert as ever. We enjoyed the rest of the Flintstones, followed by the last thirty minutes of Love it or List it, and then M.A.S.H. came on, my cue to leave. I drove home in pouring rain, wishing I wish I could freeze time.

Let me just stay here in this moment. This moment in which my email inbox remains blessedly empty. This moment in which my phone is silent. This moment in which my mother knows me and loves me. This moment in which I can let my mind wander among the dwindling choices in the word boutique. Tonight, in my quest to be prolific at the expense of quality, I will choose a few overused words and spatter them at this blog. Happy new year, everyone. You go on ahead. Let me just stay here in 2019, in this moment, before everything goes to hell.

Wishing you all the best in this stupid cold season

On Friday night, Mom was just leaving the dining room as I came strolling down the hall from the back door, dripping from a strangely balmy rainstorm.

I slowed down and matched my pace to hers. “How was dinner tonight?” I asked.

“Well, it's over with,” she replied, leaning heavily on her walker, eyes on the floor.

“Ha. That's funny,” I said. “Was that a joke? That was a joke!”

I couldn't see her face. My view was of her hunched shoulders. I admired her red fleece top, very festive.

I made a mental note to remember her joke so I could report it to you. She often says funny things, but I don't remember them. I enjoy her jokes in the moment, receiving them as they occur. Sorry you miss most of the good stuff. Her jokes and observations evaporate from my brain almost as fast as I suspect they evaporate from hers. I can't tell if I'm getting early dementia or my brain's memory failures are a sympathetic response to help me feel compassion for a woman I spent most of my life denigrating, avoiding, disparaging, or sucking up to.

The holiday season is barreling at us full speed, propelled by anger and fear. Fear that we'll miss out, that it won't be good enough, we won't get it all done, we won't get what we want. Anger that other people refuse to bend to our will (get out of our way, give us more love, stop believing stupid things). Anger that time and space are oblivious to our desperate need to find the right something for someone who could not care less.

Some years back, my family abandoned giving gifts to everyone in the family (all six of us, plus my one brother-in-law and my one niece), resorting instead to choosing "Secret Santas." That went over so well we eventually evolved to avoiding giving gifts altogether. After Dad died, there seemed to be little point.

The relief at opting out of the season of consumption overtakes me when I perform my weekly hunting and gathering chores (Winco). I feel no mania. When I'm at Mom's, watching TV with her, we remark on the proliferation of holiday commercials exhorting us to buy stuff, from perfume to trucks to burgers. No product is exempt from the season of giving. We marvel at the ploys marketers use to persuade us our lives will be perfect if we just buy that thing. Trucks barreling through snow (ugh, yech, who would want to do that?). Slim-limbed women in golden evening gowns soaking together in a giant Roman bath (like, what?). As the anti-Christ of marketing, I am chagrined to realize that the marketers' ploys have succeeded, at least with me—alas, I can remember the brands they were advertising. Curse you, marketing machine!

Here we are at the end of a year even more bizarre than the last. My friends have stopped watching the news, opting instead for deep dives into Netflix, where they settle among empty pizza boxes like traumatized goldfish sinking into crusty sediment. I don't have Netflix or pizza. I find relief reading library books in the bath.

Back in her room, she settled into the black hole of her couch and pulled her blanket over her. I turned on the TV. Friday night television leaves us bereft, now that MeTV has opted for College Football at 6:30 pm. No Flintstones, no Stooges, it's a real entertainment wasteland. It's either HGTV or golf.

“No more golf!” Mom said firmly.

Desperate, I switched to the Smithsonian channel, which was showing a program about World War II. We watched as Allied bombers blew up some buildings.

“I don't think I should watch this, do you?”

Our last resort is to watch the young man we have nicknamed Dimples, the tattooed host of the lottery dream home show on HGTV.

“Okay, I guess we are stuck with Dimples,” I said.

“Who?”

Her eyes were at half-mast. I snapped a photo of her coffee table with her in the background zoned out on the couch. On her table in the foreground of the photo, in this order: tissue box, fake flickering candle, Christmas stick (two ornaments on a bit of pine tree I found in the street, stuck in a bud vase), a bushy red poinsettia plant ordered by my sister from France and sent from California the day before, and a foot-tall dark green crocheted Christmas tree strung with tiny objects that look like they belong on a charm bracelet. In the background, my mother dozing in a red fleece top with her mouth open. If that doesn't say happy holidays, nothing will.

On Sunday night, M.A.S.H. will return and the world will align once again on its proper axis. It's winter solstice. We can put up with a few more days of these obnoxious commercials as we do our best to ignore this stupid cold season.

We gotta have art

The reward for being willing to work for nothing (also known as service or volunteering) is the opportunity to do more work for nothing. Few are called to this level of self-flagellation. Most people volunteer once a year dishing up spuds at a soup kitchen. Maybe they sell wrapping paper for their daughter's scout troop. These smart givers have figured out how to maintain their sense of selves when giving by engaging in some carefully controlled giving. They manage the time, place, duration, and level of emotional involvement. They live to serve another day.

Me, when I jump off the cliff into the great pit of service, I don't hold back. I go all in. Whenever I see that finger of service pointing my way, I almost always say yes. Even when I don't want to show up, I do. Because that is what I have learned is required of me to survive in my own skin. I am no longer a quitter. Well, hardly ever. When I first got vertigo, I quit on a service commitment. I was capsized by the rocking water in my head, not much good for anything for a while.

The vertigo still bubbles up from time to time, but it no longer swamps me. Now, I show up for my service commitments. I show up for meetings, I show up for phone calls, I show up for my mother.

Now I'm showing up for a new volunteer commitment. I'm in the process of being inducted (onboarded, waterboarded, whatever they call it) into a service organization. A request went around by email for someone to co-chair the workshop committee. Prodded by the finger of service, I raised my hand. Most of the work for 2020 has been done, it appears, by the massively overachieving and micromanaging “acting” workshop chair. Probably they just need an ignorant snoid to show up, check names off the list, and make sure nobody inadvertently unplugs the projector when run they their chair over the extension cord. That snoid could be me.

The hardest part of the snoid job is getting to the location in downtown Portland. Parking is exorbitant and scarce. Public transit is slow and expensive. Volunteering means clients pay nothing for service; however, volunteering shouldn't require the volunteer to fork out great sums of time and money. Just saying. Not up to me.

Speaking of trying to help others, at the invitation of one of the artists who took my art and business class at the community college, yesterday I visited an artists' workshop in Northeast Portland. Well, it was really an old concrete brick garage with a massive wood stove flaming against the back wall, uncomfortably close to shelves of tarps and other possibly flammable materials. I tried not to notice.

Three artists from my class had kept in touch. Apparently, taking my class had inspired them to support each others' marketing efforts. I felt a little frisson of pride, completely unearned.

Just inside the big open garage door, I chatted with two artisans I had not met before. The first was a young woman who sat behind a display of hand-pinched clay pots adorned with grotesque cartoonish faces (not unlike some of my grotesque cartoonish faces). I admired them and asked what people typically used them for.

“Rubberbands,” she said. “Paper clips. My Mom has them all over her house.” Yay, moms. We gotta love moms.

“Where are you selling them?” I asked.

“Well, nowhere, yet.”

The second artist new to me was a long-haired scruffy man named Tim who sat at a power machine sewing leather tags on pieces of pillow ticking for a custom order of bags. I admired his hand-dyed, one-of-a-kind backpacks stacked on a big table behind him. Ever the marketing critic, I gave Tim my signature eye-roll when he was unable to produce a business card: In lieu of a card, he gave me one of the tags he sews into his packs. Today I visited his website: clean design, perhaps a little too clean. Lots of nice photos but no verbiage to romance me into paying $114 for a clay-colored book bag.

Next, I stopped to chat with Cherise, an artist who I vaguely remembered from my class earlier this year. She stood next to a colorful display of hand-made cards encased in clear plastic wrappers, arranged in a little twirly rack on a table. Next to the rack were a few small paintings set on easels. I liked her images.

“How are your marketing efforts going?” I asked.

“If you had a class to help people post their art on their website, I would totally take it,” she said, looking embarrassed. Hmmm, I thought. An unfilled need. Could I fill it?

Today, I looked up her website, a drag-and-drop Go-Daddy affair that looked good to me. She had a page of digital art that people could buy, download, and print. I don't know what she was complaining about. Looked like she had it handled. Maybe she was having tech-swamp brain, like I often do. It's the inability of my brain to recall technical skills I previously learned, even the day before. She may have forgotten she knew what she knew. Or maybe she enlisted a niece to create the shopping page. I need more information.

Next to Cherise, was a card table showing a sparse collection of handmade embroidered patches and ... well, bigger patches, or maybe they were wall hangings? Heidi, the artist who invited me to the show, huddled under a laprobe behind the table. Heidi is an embroidery artist, I guess you could say. She takes tiny pieces of denim, embellishes them with microscopic cross stitches, attaches a minuscule fabric tag with her name on it, and safety pins a dinky price tag to the corner: $85. Yipes. She also had a dish of about twenty denim embroidered buttons for $35 each. I mean, buttons that you pin on your lapel, not buttons that go through buttonholes.

My eyesight is pretty bad, especially for closeup work, so I had to lift up my glasses to appreciate the fine detail. Even up close, though, I don't think I fully grasped the appeal. Now, if she had turned one of those miniature denim masterpieces into a huge wall tapestry or a rug . . . well, I guess I like my art over-sized. And functional. The way I like my brain. But I digress.

The third artist from my class was Marge. Marge works with wood. She does custom decks and fences in her outdoor life. Indoors, she builds wooden boxes on legs or wheels to hold things of various sizes, including stringed instruments.

“Is this where the magic happens?” I asked, patting the beat-up workbench shoved against the wall under a window and thinking, wow, this is really primitive. The lack of space and paucity of tools possibly explained why her work could best be described as rustic. I was reminded of the day many years ago when I showed my attempt to sew a leather outfit (turquoise lamb suede) to a professional seamstress who used to sew couture for Galiano. I'll never forget the look of withering pity she bestowed upon me as I wrapped up my amateurish effort and slunk out the door. I took a vow not to do that to anyone. I admired Marge's photos and patted her boxes.

I don't know if any of the artists sold anything but they didn't get any money from me. I'm in downsize mode. Cognitive dissonance kicks in when I imagine the hordes of artists around the world cranking out art that few people will see or buy. How is all this production helping the planet? But we can't tell artists not to create. That would be saying, dancers, stop dancing; singers, stop singing. Fish gotta swim. Artists gotta create. And we need art, even if we are running out of places to put it.